Friday, November 5, 2010

Movie Review: Due Date

No Crowning Achievement
Due Date breaks water, no new ground

The filth wake of a new Jackass film makes other movies’ attempts to shock with ribald humor futile, even with dialogue like “I vomited in the wound.” Nice try, Due Date, but Steve-O practically gargled human feces. Too unimaginative to be risque, director Todd Philips has made a “blender” film; you know, where they make an acceptable-but-not-delicious cinematic smoothie by pureeing superior ingredients into one shapeless discolored but drinkable mess.

It takes a village to raise a child, and it took four writers to steal from Planes, Trains & Automobiles and The Hangover, from which the producers even stole an actor. Zach Galifianakis, who should ask Jack Black about the legal limit on the number of times a comedian can repeat the same performance, plays Ethan Tremblay. The difference between the good-hearted, dangerous man-child that is Ethan and Alan, the character Galifianakis played in The Hangover, is that one is named Ethan and the other is named Alan.

Because Ethan is a ridiculous cartoon, he somehow manages to get expectant father Peter Highman (Robert Downey Jr) tossed off a plane and put on a no-fly list. Because the plot requires them to do so, the two wind up having to rapidly travel across country in an attempt to get Peter home in time to see his wife (Michelle Monaghan) produce his progeny. Do they make it? Do they become weird friends? Is there a bevy of masturbation jokes, including multiple shots of a dog making like a lonely prison inmate, and brief, mostly unfunny cameos from marginally famous actors and actresses? A gentleman never tells.

Yes.

Look, Due Date isn’t bad. It isn’t interesting enough to be bad. The best description is that it feels like a classic comedy from which someone cut out all of the most memorable scenes. It’s perpetually marginally amusing, but whenever an epic moment is needed, the film resorts to barely passable physical gags, most involving "Looney Tunes" car crashes. Due Date takes place in the same plane of reality as “The Office,” in that it sure seems like our world, but people can do anything without actual consequence.

Downey Jr is charming, and Galifiankis is funny. And if Downey Jr and Galifianakis were as charming and funny as they seem to think they are, maybe the sins of Due Date are absolved. Instead, the film is just an unlikable douche and a stoner one-beard heavier than Forest Gump bumbling around as you ask “are we there yet?”

Grade – C-

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Fearless, Flawless Box Office Predictions

I'll be back at some point with my Due Date review. It was...okay. That's all. It's going to do CRAZY business that first week, that's for damn sure, as my MIDNIGHT SHOWING was pretty much sold out. People love this kind of broad-based, mass-appealing, semi-raunchy comedy these days. It won't be number one because Megamind gets the families, but it's going to be strong, mark my words. As for that latter film, I will also file that one under "meh." Wake me when Dreamworks designs a different looking character. They all look the same. Anyway, onward and upward to some Box Office Haikus!

Here's how I see the weekend:

1.) Megamind - $60 million

The voices are great.
The animation? It ain't.
The verdict is meh.

2.) Due Date - $33 million

Galifianakis.
One name is a haiku line.
Just thought I'd mention.

3.) For Colored Girls - $22 million

It's Tyler Perry!
Directing, but not his script.
No name in title!!!!

4.) Saw 3D - $7.5 million

A one-week wonder,
this franchise now goes away.
Right? IT PROMISED US!!!

5.) Red - $7 million

Keep it up now, Bruce.
That sounded rather dirty.
I meant it that way.

WILDCARD - Paranormal Activity 2 - $7 million

Longer legs than Saw.
But that's because Saw sucks ass.
My last Saw joke? Please!!!!

Okay, that's it until I return with a review for your faces. Enjoy your weekends!

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Friday, September 18, 2009

Michelle Monaghan can kiss, kiss, bang, bang all she wants

In a world where Cameron Diaz is rumored for every single role requiring ovaries, where Renee Zellweger, Charlize Theron, and Halle Berry are Oscar winners, and where Sandra Bullock is still the rom-com queen, why is it that Michelle Monaghan isn't one of the most famous women in film? Exhibit A:
http://www.esquire.com/cm/esquire/images/MichelleMonaghan2.jpg
Obviously, there's no need for an Exhibit B, but if there were, I'd point to her work in Kiss Kiss, Bang Bang and Gone, Baby, Gone as examples of this gravel-voiced angel's ability to nail just about every emotion in the human experience...and yet, you walk in and say "I am about to have a restraining order put on me by Michelle Monaghan" and people yell "who?" Well, first they yell "Get out of here before I shoot" but then they yell "who?" The good news is that Monaghan is making inroads towards the fame she so richly deserves, as she is starring alongside Zack Galifianakis and is reuniting with Robert Downey Jr (I do show a lot of hot chick photos...so in the interest of fairness.

http://excellentdevice.files.wordpress.com/2009/01/robert-downey-jr-photos-004.jpg

The film is called Due Date and it sounds totally generic but potentially very popular. Downey Jr must get home for his wife's birth (Monaghan) and he is accompanied by Galifianakis in a total rip-off of Planes, Trains, and Automobiles. The film will be directed by frat-boy comic God Todd Philips. Prior to this film, Monaghan will be starring in Sofia Coppola's Somewhere, which is really exciting because Coppola is perhaps the most gifted female director working right now. So, remember this face
http://intoxicologist.files.wordpress.com/2009/03/michelle-monaghan-1600x1200-28526.jpg
As if you could forget it.

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